Cut the Sky

Date

Fri 9 – Sat 10 May

Venue

The Uncle Jack Charles The Merlyn
Malthouse
113 Sturt Street, Southbank, VIC 3006

A riveting pre-apocalyptic odyssey of dance theatre, song and storytelling questions the inevitability of climate collapse, and calls you to imagine alternative futures in which we all play a part.
Dance
Theatre

Image by Bryony Jackson

Marrugeku's powerful, provocative performance casts its gaze to a horizon that still shimmers with hope, but only if we take action. 

Visceral, vocal and urgent, Cut the Sky digs into the colonial mindset that has transformed First Nations lands into a resource supermarket to explore the deep fissures left in its wake. Division and inequality, violence and disaster are evoked in lyrical and urgent forms, performed with this dynamic company’s signature passion and intensity.

Featuring songs by Ngaiire and Tanya Tagaq, cyclonic choreography and video art capturing epic landscapes— this is dance theatre, song and storytelling that will not be denied. A diverse cast of First Nations and settler performers bring their brave and unblinking perspectives to themes of resilience and repair. A riveting pre-apocalyptic odyssey that dares to question the inevitability of climate collapse, Cut the Sky is also a call to imagine alternative futures in which we all play a part.

Performance Details

Venue

The Uncle Jack Charles The Merlyn

Malthouse

113 Sturt Street, Southbank, VIC 3006


Dates & Times

Fri 9 May 6:30pm Sat 10 May 3pm 67 minutes, no interval


Tickets

Blaktix $20 General $45 YIRRAMBOI Fan $65

Photography

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Artist Information

Co-choreographer & Concept

Dalisa Pigram (she/her), Yawuru/Bardi & Malay/Filipino


Director & Concept

Rachael Swain (she/her), Anglo-settler


Co-Choreographer

Serge Aimé Coulibaly (he/him), Burkinabe/Belgian


Cultural Dramaturg & Concept

Patrick Dodson (he/him), Yawuru


Dramaturg

Hildegard de Vuyst (she/her), Belgian


Poems

Edwin Lee Mulligan (he/him), Walmajarri/Nykina


Media Artist

Sonal Jain (she/her), India


Media Artist

Mriganka Madhukaillya (he/him), Assamese


Musical Director & Sound Designer

Matthew Fargher OAM (he/him), Yorkshire/Manx


Songwriter

Ngaiire (she/her), Papua New Guinea/Australia


Set and Costume Designer

Stephen Curtis (he/him), Anglo-settler


Lighting Designer

Damien Cooper (he/him), Australian, Irish, French, American


Associate Lighting Designer

Kelsey Lee (she/her), Anglo-Settler/ Somerset / Living on Gadigal land


Co-devising Performer

Emma Harrison (she/her), Anglo-settler


Co-devising Performer

Samuel Hauturu Beazley (he/him), Ngāti Koata/Ngāti Rehua/Ngāi Te Rangi/Ngāti Ranginui


Co-devising Performer

Edwin Lee Mulligan (he/him), Walmajarri/Nykina


Co-devising Performer

Dalisa Pigram (she/her), Yawuru/Bardi & Malay/Filipino


Co-devising Performer

Miranda Wheen (she/her), Anglo-settler


Co-devising Performer

Taj Pigram (he/him), Yawuru/Wadjarri/Pitjantjatjara/Noongar/Filipino/Scottish /English


Artist Bio

Marrugeku is an unparalleled presence in Australia today, dedicated to Indigenous and non-Indigenous Australians working together to develop new dance languages that are restless, transformative and unwavering. Marrugeku builds bridges and breaks down walls between urban and remote dance communities, between Indigenous and non-Indigenous artists and between local and global situations. Our works are created out of urgent reciprocities between Peoples, Country and custodians, understanding that telling stories together is one of the simplest and hardest things we can do. Marrugeku is led by co-artistic directors: choreographer/dancer Dalisa Pigram and director/dramaturg Rachael Swain. Working together for nearly three decades, they co-conceive and facilitate Marrugeku’s productions and research laboratories, introducing audiences to the unique and potent structures of Indigenous knowledge systems and the compelling experience of intercultural performance. Marrugeku’s performers come from diverse backgrounds and disciplines, collaborating to co-create each production. Marrugeku’s patron is Yawuru cultural leader and national reconciliation advocate Patrick Dodson. Working from our bicoastal operations in the remote town of Broome Western Australia and the urban Centre of Carriageworks, Sydney, Marrugeku harnesses the dynamic of performance exchange drawn from remote, urban, intercultural and trans-Indigenous approaches to expand the possibilities of contemporary dance. Our productions tour throughout urban and remote Australia, to other Indigenous contexts internationally and throughout the world.

The audience will be seated throughout the performance.

  • Accessible Bathroom

  • Tactile Tour

  • Wheelchair Accessible

    Wheelchair Accessible

  • Companion Card

    Companion Card

  • Relaxed space available
  • Transcripts available on request. Please email yirramboi@melbourne.vic.gov.au

Presented by YIRRAMBOI, in association with Malthouse Theatre. Supported through the Australian Government's Indigenous Languages and Arts program.


Cut the Sky was commissioned by Theater Im Pfalzbau (Germany), Carriageworks (Australia), Koninklijke Vlaamse Schouwburg – KVS (Belgium), Les Théâtres de la Ville de Luxembourg (Luxembourg) and Centre Culturel Tjibaou (New Caledonia).


Cut the Sky has been funded by the Australian Government through Creative Australia, its principal arts investment and advisory body, the New South Wales Government through Create NSW and City of Sydney, the Western Australian Department of Culture and the Arts, Australian Research Council, Australian Government Attorney General office — Ministry for the Arts, Department of Foreign Affairs, Arts Tasmania.

With permission, this performance contains the images of people who have passed away. This performance also contains strobe lighting, haze and smoke effects.

Partners